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Vol. 14, Winter 2009

Interview | China
Gao Xingjian Didi Kirsten Tatlow
Everyone knows I encountered many difficulties getting published in China. Besides the limits on publication by the authorities, the writer also has to place limitations on himself and exercise ‘self-discipline’. But in China, even when I showed self-discipline, my works were still banned. So I rejected it as ludicrous.

Travel | China
Liberation Road Sam Chambers and André Eichman
Once the glory of the Silk Road, Kashgar’s bazaar – now the Kashgar International Trade Market of Central and Western Asia – carries on the city’s commercial traditions: intricate, rich red carpets from Turkmenistan; handcrafted Uighur guitars; pointed felt hats from Tajikistan; almost luminescent spices from Pakistan: Afghans, Russians, Kyrgyz and Uzbeks, haggling and hawking.

Fiction | Pakistan
The Fifth Lash Anis Shivani
The flogger knows the importance of the next lash, though the fifth lash is almost identical to the four that have come before. The prisoner’s composure breaks and he cries out, as if releasing a lifetime’s anger, frustration, sadness and misery. The crowd is silent as the man’s agonies echo around the stadium.

Photography | Japan
Soul Dancing Xavier Comas
The ancient Japanese art of Jiuta-mai
Editor's Notes
Interview | India
Kerala's Literary Mission: Peter Mares talks to writer Mridula Koshy
Non-fiction | China
Postcards from the Frankfurt Book Fair: Wen Huang on China’s progress at the world’s biggest book fair
India Broken Edwina Shaw
China From 'The Man From Beijing' Henning Mankell
India Killing Rajen Haresh Shah
South Korea Nova initia Thomas Lee
Alexandru Cetăţeanu, Mariko Nagai, Niki Marangou, Daljit Nagra
 
Gandhi-ji called us Harijan – ‘children of God’; my mother says they killed him for his beliefs. When I was born my mother gave me a name, though no one uses it but her. Outside the house, I am simply ‘Chamar’, the name of my sub-caste, for even among the lowest there are degrees of wretchedness. — Broken
  Autumn 2009  
  Summer 2009  
  Spring 2009  


Asian literature,Asian writers,Asian writing,Chinese literature,Chinese writing,Asian American writing