About Us Subscribe Sign In Submissions Links Contact Us
Home
From the Editor
Fiction
Reportage
Memoir
Travel
Essays
Politics
Poetry
Interview
Humour
Humour
Photography
Art
Art
Endpiece
Country
Contributors
Past Issues
From the Archive

Poetry | Indonesia
Two Women Sitting at a Window Table in a Café
Laksmi Pamuntjak


Laksmi Pamuntijak has been chosen to represent Indonesia at Poetry Parnassus as part of the 2012 Cultural Olympiad. She is one of eight Asia Literary Review poets among the 205 who will perform at the South Bank Centre in the last week of June 2012. Click here for links to all the poets and their poems.


 

Two Women Sitting at a Window Table in a Café

 

First I must tell you, it is not the first for the

woman in black. For the record, let’s call her

the First Woman.

Just look at her coffee: a

tamped single shot on a clean base. Tight,

dark stains only halfway up, forgetting,

not forgetting.

 

As for the bundle of nerves in Lady Grey rose –

which out of politeness we shall call

the Second Woman instead of the Other Woman –

come! Surely you recognise a novice:

crema in light brown stain swirling around milk,

getting, not getting. Nothing but foam

at the bottom of a demitasse cup.

 

And now it is getting on noon and tassels

of drapes like eyeliners are fraying.

Cranberry and peach crush, smudged on the rims of

the umpteenth cup.

Who says each case is going to be different:

each beginning, each ending?

 

 

Is this how it happened? says the First Woman,

Over a cup of coffee?

Did he watch you stir your cream in,

longing to kiss the sweetness the froth was brought into?

Did he ask you, politely – oh, for he is polite –

whether he could?

 

The thought of cream, of sugar,

of anything cloying and cowardly,

how it fazes the Second Woman terribly.

She says nothing, and so are

the both of them thinned out,

by the silence

that sells the other out.

 

And then comes the tightening,

the touchless greeting,

everything having to come out of breathing.

The Second Woman’s reply, finally,

(and inevitable now that they’ve come this far):

It’s over.

 

But is it? Of course,

they both know that nothing is ever over,

not if it has to be uttered by women

like her to women like her.

It’s over. Is it?

 

Yet what a tall order, to forgive:

all that power game and putting in place,

so much knottier than “I am sorry,”

the girl scout’s easy way out.

For a moment the First Woman was lost in thought.

 

For wasn’t there a time, a long time ago,

by the hibiscus in the garden of her old home,

his face long with the sun pale behind him:

This is not about you, he said. I ask you not to forgive me.

How many years now? Neither of them

knowing what her silence meant.

 

Meanwhile, the Second Woman kept to

her own silence: they took so little space.

Can there ever be, she thought, enough coffee in a lifetime:

that home-breaker, the stuff of satire?

Difficult to tell, with all that crimsoning,

between a mature but broken fruit

and everything else.

 

But have I told you: the two women would never meet again.

 

 

Box

 

Supposing –

That having opened the box,

we find in it sun-dried pineapples,

parched lotus roots,

pinnate seeds bleeding into puce.

 

Voodoo dolls,

lacquered masks,

and a barbecue shrimp mix

we know is anything but.

 

Supposing –

that having looked at the box,

we can’t decide what it is:

a witch’s vasculum, Louisiana tourism ministry’s

free-gift box, or site-specific art.

 

Supposing –

that red is not what makes purple,

is not the colour of blood or wine,

and henceforth is neither

sin nor Satan.

 

Supposing –

that the venule is like any other

vein, as plebeian as any,

a delusional vessel of life; and

that its hopes are not even as grand as

 

the turdy smell produced by air which is

wedded to a certain strain of

jasmine: that feral smell, that mortal sign,

that most unheralded of death knells.

 

Supposing –

that acetone and ambergris do not

settle their differences in bed;

taking them, instead, to the halls

of the divorce court.

 

Supposing –

that a furious absinthe

hands a pint of wormwood

to Aniseed the Timid, and folk

start dying from a sudden plague

of the diabolical pastis, having

repeatedly ignored the razor

glints in the cloudy water.

 

Supposing –

that love is the mind’s doing, not the eyes’,

and on which note even the twenty-by-twenty

black box downtown has the opalescence

of the silkiest sable, depending on

what you choose to remember.

 

Supposing –

that a box contains.

Extolling only

what it seeks

to cloud.

From The Editor
Memoir | USA
Making Pasta Sauce: My Independence Jennifer 8. Lee
Travel | India
Tomatoes Erin Swan
Interview | Global
Hari Kunzru
Non-fiction | Global
History à la Carte
Non-fiction | Japan
Japan and the Battle for Rice Lizzie Collingham: going to war to feed the nation
Non-fiction | Global
Dining with the Dead Sarah Murray
Non-fiction | Malaysia
Scavenging on Gold Mountain: of Food and Poetry Shirley Geok-lin Lim
Non-fiction | China
Sweet and Sour Fuchsia Dunlop
Non-fiction | China
Chop Suey Cinema Paul Fonoroff and Clarence Tsui get their teeth into Chinese cinema
Non-fiction | Asia
The World Food Crisis – An Asian Perspective Chandran Nair
Non-fiction | Asia
Review: Gods Without Men by Hari Kunzru Fionnuala McHugh
Non-fiction | Asia
Review: Indigo by Catherine McKinley Victoria Finlay
Photography | Hong Kong
The Neighbourhood Cha Chan Teng
Australia The Chinese Meal, Uneaten Bernard Cohen
India Captain Chandrahas Choudhury
China Table d’Hôte Murong Xuecun
Hong Kong / Spain Fideuà Wena Poon
Anne Abad, Ha Kiet Chau, Chrissie Gittins, Reid Mitchell, Laksmi Pamuntjak, Michael Carlo C. Villas
Endpiece | China
My Kind of Town … Party Like it’s 1966 Clarissa Sebag-Montefiore in Beijing


Asian literature,Asian writers,Asian writing,Chinese literature,Chinese writing,Asian American writing