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Poetry | Asia
Poetry from 'Forge'
Ted Mathys

 In Hunter's

 

orange hat and solid Stihl suspenders, my father has decided to paint the blade of his favorite shovel hunter's orange and lop off its tip with a silicon carbide industrial grinder in a blaze of sparks in order to skim soil better. But when he does, it is just too perfect and he cannot let it go, never lets it go. The men begin to call him Linus as he begins to spray-paint sledgehammers, mortar mixers, dike pliers, truck tires, all his fingers, all his mornings, his entire maw, hunter's orange. It is all over the place and I don't know whether it is talisman or addiction, all I can remember are the sparks. I'm behind the silo gouging my fingers into soil in search of buried arrowheads, but when I see his hunter's orange form approaching me like a zombie, dragging his shovel slowly across the shop's concrete floor, I know that perfection is exactly what we have always feared. From the tiny pile of what's been collected, I select two slivers of imperfect flint, lean back and smack them together to launch an orange spark that hovers like the lodestar, pulling everything directionless, while somewhere between us the tomahawks have begun.

 

 

Mekong, Mohican

 

Lightning over the Mekong tonight –

lines down, lanterns up, iced

mulberry wine eddying

in a wineglass cracked as the Laotian

twilight, fractured though unbroken –

and I'm sensing total

 

blackout in Cleveland. My father's probably

driving north, white-knuckled,

parallel to the Mohican, magnetized

by the slow incantation of Jacob's Field,

threatening to bitch-slap the wayward

windshield wiper of the company pickup

and tuned-in to WQKT to see

if his one Indians game of the year's been called off.

 

Two monks stop at the table for a clandestine

English lesson in darkness; I start

with definitions less known –

 

father: originator, founder, inventor, or

the figure beneath the willow, casting corn cobs

to members of the Corvus family as alms.

 

son: a male thought of as if in relation

to a formative influence [a son of revolution].

 

riverbed: the channel in which a river flows,

or has flowed, or will flow toward the willow.

 

Gracious despite the logic of lost

metaphor, they invite me to a wat fortressed

by cobalt shadows and an alleyway of bells.

Third glass. Vision adjusted. Third inning –

a line drive ripped to deep left-center, a tight white ball

of sticky rice placed at the stone foot of Buddha.

High in the nosebleed section I hear

him drop the nachos, clap, and cuss

as if he'd just witnessed the failed

birth of his first and purple son.

 

sedentary: not migratory, as some birds.

 

Before lotus and incense, I kneel

to offer what I never fully gave

his willow – myself – and he stands

soaked, the spring-loaded stadium seat

bobbing in mockery, to watch the monstrous blue

tarpaulin being pulled over the diamond,

settling over the seventh inning

cancellation like a bad memory

of crows or the carpet bombing of Laos.

 

bedrock: the solid rock beneath the soil and superficial rock.

 

Obsidian outside the temple gate.

A father and son are selling sheaves

of Mekong seaweed by candlelight –

my father's face is illuminated

by the dome light as he pries open

the door to the pickup in the parking garage.

I buy two squares. Eat one.

 

dredge: a net attached to a frame, dragged

along the bottom of a river, a bay, a son, etc.

to gather shellfish, to gather years, to gather. . .

 

Southbound now in the downpour

he kills the radio's anarchic fuzz.

Almost bald enough, approaching

the willow, crows, Mohican again,

he scratches his leg in silence through

the folds of the monastic saffron robe. 

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Asian literature,Asian writers,Asian writing,Chinese literature,Chinese writing,Asian American writing