|
This piece is derived from Jeongshik Min’s paper 'A Visual Collective Biography of the Former Korean Comfort Women'. The collective biography in poetic form is inspired by ‘memory-work’ that moves towards a collective history. The Wednesday Demonstrations have been a central influence; Min’s visit to the House of Sharing, the group conversations, and the paintings by the former sexual slaves have provided material for the articulation of ‘the stories without voice’. The original text has been reworked by Shirley Lee with the author’s permission.
Memories of Childhood born in 1921 home with four siblings family poor; for the girls no school only work like an ox girls from poor families all the same but never complaining happy to be home with her family her family united, One
in her hometown with parents and siblings everything pure, like snow everyone happy her family were One
living at the foot of Mount Chiri growing tobacco, gathering mushrooms wild greens on the mountainside Colonial Taxation: Japanese took everything rice bowls, spoons, chopsticks even her father’s life her family broken family broken
her family plants seeds, Japan plants a colony Japan takes their seeds: ‘Baeari fruit’ (embryo buds) Colonial Taxation: they extract oil from the seeds oil goes to factories planes go to War her land is a colony
Recruitment
on a ship there are three Chosun maidens who yearn for the same hometown she had persuaded her friends to come with her in those days people were simple the girls knew nothing of the world they believed they were going to work in a factory
if only she hadn’t persuaded her friends to go with her
The Women’s Volunteer Labour Corps
her Japanese teacher at secondary school asked her to join the Corps she would be able to continue her studies her mother wept and pleaded with her to marry like the other girls at least on paper to avoid the recruitment but the brightest girls joined the head girl and she 50 girls from Chinju 50 girls from Masan became 150 in Pusan more girls more girls from everywhere
Japan was desperate for workers from colonies from everywhere in Korea to run the factories in Japan to be taken to the front to comfort the soldiers the soldiers soldiers the Japanese wanted even the youngest girls young girls young girls were taken innocent Chosun girls
an innocent girl stolen, kidnapped the girls would work in factories and hospitals – everyone believed it
she could live a comfortable life as a nurse she would become a nurse in Japan she would go to Japan Japan a better place
a girl of 14 taken away she did not know where she was being taken one girl from each family – a colonist’s law for a colony the eldest, the youngest but only the girls the fearful girls
the girls of the colonies were delivered to Japan far far away far away from home
Forced Initiation as a Comfort Woman
Corporal Kobayasi Tadeo stole her innocence dragged her raped her under a tree in the dark on a road she was fifteen and scared unable to bite off her tongue like a virtuous Korean woman she had been too scared too scared
the flowers of the cherry tree blossomed and sucked up a young girl’s spirit
young girl then abandoned in a cubicle of one and a half tatami Kobayasi came again and again and again
many soldiers followed ten soldiers a day thirty soldiers a day forty soldiers a day countless soldiers soldiers no time to eat no time to sleep no time for the toilet no time
the soldiers rushed in one after another in orderly lines their trousers down already ‘Hayaku! Hayaku! the soldiers’ swords and pistols at hand too exhausted, she gave up counting her pants hung round her legs no strength to pull them up
other girls committed suicide like virtuous Korean women their bodies were burned ‘the dead are your soup,’ soldiers told her she ate and drank her friends
Life at the Comfort Station
she washed her clothes when there was time and soldiers’ clothes and condoms
Sexual Slavery Women of the military unit not people – public toilets piss house
she looked up at the moon they smacked her – what are you doing, girl? she talked to herself they smacked her – don’t fucking swear at us, girl! they told her to suck them – it was her duty and when she refused they beat her into a coma she woke up three days later
no time to feel lonely serving the soldiers kept her too busy
the soldiers preferred her a clean Korean girl some did not care about condoms to die through disease to die by a bullet there was no difference at all soldiers always queuing outside waiting their turn, quarreling sometimes jumping the queue most done in under five minutes
soldiers about to leave for the battlefield were much more gentle with her they gave her loose change said it would be of no use to them if they never came back some soldiers wept too scared to go out and fight comfort them say to them, ‘return safely from battle’ one or two made confessions of love some even proposed
the women’s vaginas are swollen injection No. 606: no space, not for a needle subject to torture day and night days and nights kicked beaten hit slapped cursed
her menstruation starts while serving she serves soldiers while bleeding
malaria, jaundice, breakdown every night she sat on a board on a puddle inside an emergency dugout she longed to go home she missed her mother her brothers and sisters she longed to go home sixty years on her teeth grind at the thought
Returning
Japan had lost the war Japan hurried to bury their crimes papers and bodies bodies of girls
they burned the bodies of girls all men were the same to her even the white soldiers asked her to comfort them
mother! mother, she is back ‘Have you returned from the dead?’ mother, she is back she has come back but in silence her voice has been lost in the Comfort Stations
After Telling their Stories to the Public she is a woman of Chosun whose culture of Confucian values respects a virtuous woman where the shame of a woman is the shame of her family and her family whispers this – she has brought shame to the family
was it her fault that her virtue was taken? had she really brought shame to her family? why did she have to be Korean man’s property to be sold to Japan?
as youth slips away she is suddenly old and grey her womb malformed from abuse
her diseases and shame have been living within her for her family for her homeland for her
she has tried to forget – more than fifty years on now aged over sixty – by testifying by meeting other Sexual Slavery Women by painting the memory tortures her again she is going crazy again nightmares of the past possess her her screams in the night waken everyone up as she voices her past the wounds she has kept inside for so long seem to slowly be healing slowly her heart can be soothed she can express her happiness sadness with fewer distractions when she cannot sleep she paints all night she forgets everything while painting
it was hard for her to be with other former Sexual Slavery Women in the same house she came to Teochon the House of Sharing others then joined her she was there alone when drunk and lonely she went up to a grave and cried and cried
and there she imagined punishing the guilty
punishing the guilty – the Japanese emperor tied to a tree she aims her gun at him
white birds are flying to bring peace – for him to say sorry to her is enough
who is she? a crushed flower or a bud yet unblossomed? these words still keep hope for the blossoming o unblossomed flower! remembering youth she mourns her innocence
|